A Strong Desire
The older I get the stronger my desire to explore and experience the many forms of art. I’ve been very fortunate to have the opportunity to attend numerous classes—each one exposing me to techniques or philosophies I have not tried.
One of the classes I attended was Pam Beal’s Minimalist Design, Maximum Impact. If you click on the link attached to the class name you will be taken to the blog post she shared once our class was complete. Within that post is numerous photos of her own work as well as the work of her students. Photos # 7, 8 and 10 show a few of my projects. Photo # 8 is the subject of today’s story.
1973 was the year I graduated from high school. My graduating class contained 400+ students—way too many to remember them all by name.
Our official school colors were cardinal and grey. Often times they were referred to as red and grey by our cheerleaders. I can still recall one of the chants—
Red and grey,
red and grey,
The Name Is…
Recently I put finishing touches on a small art quilt started while attending Pam Beal’s class.
After adding the last detail I always give my art quilts a name. Sometimes the process turns very slowly—in this instance it was quick and painless.
My husband is very familiar with my class colors and the year of my graduation. When I proudly shared my finished piece he instantly named the quilt
in honor of my high school graduation and my class colors.
Pam Beal’s quilts primarily contain straight line piecing. On occasion she adds an element of surprise through circles or curved pieces.
Following in Pam’s footsteps, 1973 was assembled with geometric, straight-line shapes. Added for pizazz were two gently curved strips—one each in the upper and lower quadrants.
These wavy lines add interest and movement by drawing your eye from one side to the other. Pam emphasized that a well-balanced piece will
keep your eye moving.
One way of providing movement is to
bring your elements (i.e. colors, piecing, quilting) off the page,
or in this case, off the mini quilt.
I think 1973 has achieved that feature through the addition of those strips.
Since the theme of the class was minimalism I kept my color pallet simple. Chosen were grey, both light and dark; fuchsia; white and black. The grey tones are not part of my normal color family. In fact, grey is one of my least favorite colors. Given that this class was supposed to help me reach outside my comfort zone I made the decision to challenge my norms by adding colors unusual to me.
Minimalist Design, Maximum Impact taught me the qualities of a well-balanced art piece. Learning these traits opened my eyes to new opportunities to analyze my own work. These revelations, in essence, swung open another door.
Just as with Blue Door this mini art piece also reflects the imagery of a doorway.
- The doorway was assembled using strategically placed rectangles of color.
- Standing outside looking in you will notice a window made from fuchsia cotton fabric.
- Radiating from the window is additional rectangular shapes fashioned from a soft grey, more fuchsia and white. These added fuchsia and white fabrics give the door interest.
- Emphasizing the image of a door knob is the oversized silver snap.
- Strips of fuchsia colored cotton lead your eye to the outer right edge of my piece. By leading your eye in that direction I am enticing you to reach for and turn the door knob.
- To add even more interest and encouragement of motion I added hand quilting. The stitched lines in and around the door bring your focus to the opportunity for discovery. An open door can lead to new and exciting experiences.
- The grey stitches reaching from the left edge outward to the right give my piece even more movement. A movement that should also tease you to open wide the door.
The Final Details
- Measures: 11 7/8” L x 9 3/8” W
- It Contains: Cotton fabrics
- Is bound and backed with: Black fabric
- Is sandwiched with: Warm & Natural Batting
This was the second of many art quilts to develop during the Minimalist Design, Maximum Impact class. I will continue to reveal the other ones in future posts.
I hope that you have enjoyed reading about and seeing my latest art piece. Perhaps the tips shared will help you when analyzing your own works of art.
If there were aspects of my quilt or techniques that you found interesting, please share those thoughts. I learn so much from your comments.
Thank you for visiting! I look forward to our next opportunity.
11 thoughts on “1973, AP # 74”
A striking piece
I like the piece, first of all. I even like it unfinished, at the workshop. Without counting, I would have picked this piece as yours. You added some new elements, but it still had your style. =) I look forward to seeing the posts about the other two pieces, also. This reminds me of the Robert Frost poem about two roads that diverge in the woods. Is your door trying to decide which road to open onto? I don’t know, but it’s the though I had. =) Or maybe all roads lead to your door. =)
You know I guess we don’t know unless we walk through. 🙂
Ooooh Cindy! That is an amazing piece! You are such the art quilter! 🙂
And you are so kind for saying so! Thank you! 🙂
I’m loving the door themes you have going on lately. Very nice piece!
Thank you! I guess I was on a roll with doors. 🙂
1973 was a very good year! Your 1973 quilt is very well thought out. I love the stitching!
Thank you so much! 😊