Itty Bitty, AP # 78


I am excited to be sharing another finished art project. Today’s item was started during my adventures with Pam Beal at her class Minimalist Design, Maximum Impact.

Being only 2 1/2 x 2 1/2” in size I’m absolutely certain you can figure out the reason for her name. This teeny tiny specimen was made from one of my leftover scraps.

Itty Bitty certainly meets the criteria for minimalism:

a style or technique that is characterized by extreme spareness and simplicity

Miriam-Webster

Being so small, Itty Bitty doesn’t need a fancy introduction. All of her features can easily be seen in the photo below. Say hello to Itty Bitty, AP # 78!

Itty Bitty, AP # 78

Hoo Knows? AP # 77


While attending Pam Beal’s class Minimalist Design, Maximum Impact,I began a number of small art pieces. Some of them have already been shared.

Blue Door, AP # 66

1973, AP # 74

X’s and O’s, AP # 75

Wise Old Owl, AP # 76

Today’s small art piece was also started in that class. Titled Who Hoo Knows?, AP # 77, the quilt measures 15×10”.

Who Hoo Knows?, AP # 77

Keeping with the theme of minimalism, this petite specimen has a limited color pallet. The soft minty teal (how’s that for a technical description) adds a pop of color that grabs your eye and draws it toward the center.

Of note are several special embellishments. Except for the zig-zagged raw edges of the sparkly grey fabric the rest of the quilting was hand stitched. Added for surprise elements were three teal and black beads along with a sassy, teal owl. The colors of the items were chosen to mirror the minty fabric frame.

Naming this mini quilt proved to be a challenge. Often times a name will come to mind while I am creating my art. In this case I wasn’t inspired until I added the owl. Given the difficulty I had in choosing the name I decided to select Hoo Knows?. Hoo, because of the sound associated with owls and the added owl bead. Knows, because of the phrase, “Who Knows?” I know it seems kind of corny but that’s ok! Who cares!

Hoo Knows was added to a background of black fabric. A layer of Warm & Natural batting is sandwiched in-between. To the quilt’s raw edges a binding of matching black fabric was added.

What do you think of my latest art piece?

Thank you for visiting!

Wise Old Owl


One of the joys of finishing an art piece is sharing it with you. My most recent finish is a piece titled Wise Old Owl, AP # 76. Read on to discover it’s details.

The Beginning

I participated in Pam Beal’s class Minimalist Design, Maximum Impact back in the spring of 2018. The specimen being shown today was started during that class.

This quilt, as with many others, started from leftover scraps. If you refer to the photo below you will see them in the center of the art piece. They are the dangling strips of random fabrics. This odd grouping adds an unexpected point of interest. Further interest was added through these special features:

  • Three Stitches: In the quilt’s uppermost area you will notice three stitches. Pam often adds elements of surprise to her masterpieces. These three stitches are my surprise touch.
  • One Bead: Adding further excitement is the addition of an unusual single teal bead. The bead was purchased from Etsy long before I began this project. Since then I had been waiting for just the right opportunity to use it. This project seemed like the perfect place.
  • Three Small Beads: The goal of a balanced quilt is evenly distributed color. To spread the presence of teal in yet another location, three small teal beads were stitched to the black horizontal fabric strip.
  • Zigzag Stitch: The grouping of fabric strips with uneven lengths and varied colors have raw edges. Normally raw edges would be secured inside a seam. Since these were not I added a row of zigzag stitching to prevent unraveling.
  • Black Strip: Although it may be hard to tell the horizontal black strip extends beyond the mini quilt’s edges on both sides. Each end of the strip was stitched together to protect the unfinished edges.

The Name

Here’s why I’ve named my piece Wise Old Owl:

  • The teal triangle reminds me of eyebrows.
  • The two small grey triangles, on either side of the eyebrows, look like eyes,
  • The short black vertical strip of fabric beneath the eyes forms a beak.
  • The horizontal black strips extending beyond the sides of the quilt look like outstretched wings.

Finishing Touches

Ms. Wise Old Owl has a black binding to protect her delicate edges. Her backside is covered with a matching black fabric. Inside she is kept warm by a layer of Warm & Natural batting. She measures 13 x 8″.

Wise Old Owl, AP # 76
A Closer Look at some of the Owl’s Details

Thank You for visiting!

X’s and O’s, AP # 75


Sidetracked

Before heading to Woodland Ridge for Pam Beal’s class, I stopped in Menomonie at the cutest little fabric shop called Thread Lab. The art piece I will share today incorporates three of the fabrics purchased during my shopping spree.

Undivided Attention

This is the third post featuring art quilts resulting from my attendance at Pam Beal’s class Minimalist Design, Maximum Impact.

One of the concepts I learned there was

“L” Shape Balance.

What??

Those that read and write the English language are familiar with the letter “L”. The “L” begins with a downward swipe of the pen, then continues on toward the right. These two lines form a ninety degree angle.

The English language is read from top to bottom and left to right. This top to bottom, left to right flow is replicated in the letter “L”. When viewing art our eye travels along the same path.

Lets Review

If you recall, I mentioned earlier one of the traits Pam said was important for a successful art piece. The term I am referring to is “L” Shape Balance. If my quilt were to achieve “L” Shape Balance then my eye would begin in the top left corner and proceed across and down the surface.

I believe my mini art piece achieves that balance. The blue fabric, situated to the left of the center, echoes the downward movement of a pen creating the first part of an “L”. The grey fabric directly below can be identified with the left to right swipe.

Did I loose you?

In other words, my eye first travels from top to bottom down the surface of the blue fabric. Next it makes a right angle and follows along the grey strip to the outer right edge.

Is that better?

X’s and O’s

X’s and O’s are often used to signify a hug and a kiss when writing sentiments in, say for instance—a card. I’ve titled today’s art piece X’s and O’s not because I’m sending you a kiss or a hug. Instead I’ve chosen this reference because of the fabrics I used to create it.

X's and O's
X’s and O’s, AP # 75

If you look closely in the body of my piece you will see skinny strips of fabric accentuated by the letter “X”. You will also notice a blue fabric decorated with black dots. The “X’s” and dots, or “O’s” were the inspiration for my quilt’s name.

What’s Left?

Let’s look at the remaining features of my art piece. This small art quilt was made using three different colors—black, grey and blue. The

  • blue fabric with the black dots;
  • the grey and black fabric with the x’s; and
  • the darker grey and black near the bottom

were purchased during my fabric shopping trip. The balance of the other fabrics were harvested from my stash.

Hand Quilted

Years and years ago I tried mastering the art of hand quilting. After several attempts I threw in the towel and turned to machine quilting. Hand quilting is Pam’s preferred method. After seeing Pam’s masterpieces and how lovely they looked with her stitching I decided to give it another try.

Thread Colors

I chose three thread colors for my stitching.

  • The grey fabrics were accented with grey thread.
  • Black thread was my obvious choice for the two black border pieces.
  • In the remaining sections I used a soft blue.

After achieving a workable rhythm I actually grew to appreciate hand quilting. The somewhat uneven appearance of my stitches gives my small project a more rustic texture.

Surprise!

Strategically placed stray stitches along with random beading are Pam’s go-to-method for adding elements of surprise. Using this for my inspiration I added a few stray stitches along with four French knots in the quilt’s right, grey panel. These two elements add a little sparkle.

The Little Things

Now that we have examined the obvious details let’s take one last look at the unmentioned features.

  • X’s and O’s measures 14” L x 8 5/8“ w.
  • Surrounding my quilt is a binding made from black fabric.
  • In between the quilt sandwich is a layer of Warm & Natural batting.
  • The back is protected by a layer of black fabric.
  • A hanging sleeve and label have been attached as well.

That’s A Wrap

With so much to share, this has been a very long post. I think you would agree though that it was well worth the read.

Thank you so much for sticking with me. Let’s do this again!

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1973, AP # 74


A Strong Desire

The older I get the stronger my desire to explore and experience the many forms of art. I’ve been very fortunate to have the opportunity to attend numerous classes—each one exposing me to techniques or philosophies I have not tried.

One of the classes I attended was Pam Beal’s Minimalist Design, Maximum Impact. If you click on the link attached to the class name you will be taken to the blog post she shared once our class was complete. Within that post is numerous photos of her own work as well as the work of her students. Photos # 7, 8 and 10 show a few of my projects. Photo # 8 is the subject of today’s story.

Let’s Begin!

1973 was the year I graduated from high school. My graduating class contained 400+ students—way too many to remember them all by name.

Our official school colors were cardinal and grey. Often times they were referred to as red and grey by our cheerleaders. I can still recall one of the chants—

Red and grey,

red and grey,

fight, fight!

The Name Is

Recently I put finishing touches on a small art quilt started while attending Pam Beal’s class.

After adding the last detail I always give my art quilts a name. Sometimes the process turns very slowly—in this instance it was quick and painless.

My Assistant

My husband is very familiar with my class colors and the year of my graduation. When I proudly shared my finished piece he instantly named the quilt

1973

in honor of my high school graduation and my class colors.

1973
1973, AP # 74

Distinguishing Features

Pam Beal’s quilts primarily contain straight line piecing. On occasion she adds an element of surprise through circles or curved pieces.

Following in Pam’s footsteps, 1973 was assembled with geometric, straight-line shapes. Added for pizazz were two gently curved strips—one each in the upper and lower quadrants.

These wavy lines add interest and movement by drawing your eye from one side to the other. Pam emphasized that a well-balanced piece will

keep your eye moving.

One way of providing movement is to

bring your elements (i.e. colors, piecing, quilting) off the page,

or in this case, off the mini quilt.

I think 1973 has achieved that feature through the addition of those strips.

Color Pallet

Since the theme of the class was minimalism I kept my color pallet simple. Chosen were grey, both light and dark; fuchsia; white and black. The grey tones are not part of my normal color family. In fact, grey is one of my least favorite colors. Given that this class was supposed to help me reach outside my comfort zone I made the decision to challenge my norms by adding colors unusual to me.

Another Door

Minimalist Design, Maximum Impact taught me the qualities of a well-balanced art piece. Learning these traits opened my eyes to new opportunities to analyze my own work. These revelations, in essence, swung open another door.

Doorway Features

Just as with Blue Door  this mini art piece also reflects the imagery of a doorway.

  • The doorway was assembled using strategically placed rectangles of color.
  • Standing outside looking in you will notice a window made from fuchsia cotton fabric.
  • Radiating from the window is additional rectangular shapes fashioned from a soft grey, more fuchsia and white. These added fuchsia and white fabrics give the door interest.
  • Emphasizing the image of a door knob is the oversized silver snap.
  • Strips of fuchsia colored cotton lead your eye to the outer right edge of my piece. By leading your eye in that direction I am enticing you to reach for and turn the door knob.
  • To add even more interest and encouragement of motion I added hand quilting. The stitched lines in and around the door bring your focus to the opportunity for discovery. An open door can lead to new and exciting experiences.
  • The grey stitches reaching from the left edge outward to the right give my piece even more movement. A movement that should also tease you to open wide the door.

The Final Details

1973

  • Measures: 11 7/8” L x 9 3/8” W
  • It Contains: Cotton fabrics
  • Is bound and backed with: Black fabric
  • Is sandwiched with: Warm & Natural Batting

In Conclusion

This was the second of many art quilts to develop during the Minimalist Design, Maximum Impact class. I will continue to reveal the other ones in future posts.

I hope that you have enjoyed reading about and seeing my latest art piece. Perhaps the tips shared will help you when analyzing your own works of art.

Please Share!

If there were aspects of my quilt or techniques that you found interesting, please share those thoughts. I learn so much from your comments.

Thank You!

Thank you for visiting! I look forward to our next opportunity.

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