Painted Fibers, AP # 86


I have truly been blessed to attend numerous classes at the Woodland Ridge Retreat. If it were not for the continued employment of my husband the opportunities would never have occurred. Today’s story is about another one of my excursions.

Last summer I participated in the Judy Coates Perez, Paint and Print Palooza. I had a wonderful time learning how to dye, print and silk screen fabric.

I Had A Handful

Watching the applications go from start to finish was entertaining.

Folded Fabric Waiting to Dry
All Dried and Opened Up

I even designed and cut out my own foam stamp.

My Own Foam Stamp
The First Print Using My Foam Stamp

I created a minimum of 12 new blocks of fabric. These are two of my favorites.

Rather than point out all of the quilt’s wonderful features I’m going to share them with you through photos. Enjoy!

My First Block Arrangement

Eight of my favorite blocks. Click on any photo to watch a slide show of the gallery.

Last but not least, here is the finished art quilt.

Painted Fibers, AP # 86

I am so pleased with the final version of my art piece. My finished art quilt measures 64 x 47”. Hidden inside this family of blocks are oodles of special features. Click on the photo to enlarge it and see the many details.

Thank You for stopping by!

Tuxedo, AP # 84


Slowly, ever so slowly I’ve been revealing art pieces resulting from my exposure to Pam Beal and her class, Minimalist Design, Maximum Impact. After today’s reveal there will be only four left to share. Let’s take a look.

Tuxedo, AP # 84 measures 10 3/4 x 6 3/4″. Like Ragged Edges, this special art piece has exposed edges. Look closely and you will find four.T

To give my Tuxedo a unique and masculine appearance I added a few embellishments.

  • All of the quilting was done by hand.
  • Except for the bold application of purple quilting, the remaining stitches were all done with color coordinated threads.
  • Centered in the tiny black fabric strips are small, purple, buttons made from French knots.
  • Last but not least, in the very bottom right corner, is what I have designated as the Tuxedo‘s boutonnière. There you will find three vertical purple French knots.

Let’s take a look at Tuxedo, AP # 84.

Tuxedo, AP # 84

Tuxedo, AP # 84

Thank you for sharing your time!

Ragged Edges


Thanks to Pam Beal and her Minimalist Design, Maximum Impact class my explorations in minimalistic art quilting continue.

Being shared today is my latest project measuring only 8 3/4 x 5 3/4″. Known as Ragged Edges, it was created using small stacks of raw edged fabrics. The stacks themselves are barely over 1″ square. Each small grouping has been anchored to a white fabric background with a grid of black machine stitching, a row of teal hand-applied stitches and a single teal French knot. Each stack was then surrounded with rows of hand quilting using white thread. Say hello to Ragged Edges, AP # 83.

Ragged Edges, AP # 83
Ragged Edges, AP # 83

Thank you for sharing this time with me!

Wise Old Owl


One of the joys of finishing an art piece is sharing it with you. My most recent finish is a piece titled Wise Old Owl, AP # 76. Read on to discover it’s details.

The Beginning

I participated in Pam Beal’s class Minimalist Design, Maximum Impact back in the spring of 2018. The specimen being shown today was started during that class.

This quilt, as with many others, started from leftover scraps. If you refer to the photo below you will see them in the center of the art piece. They are the dangling strips of random fabrics. This odd grouping adds an unexpected point of interest. Further interest was added through these special features:

  • Three Stitches: In the quilt’s uppermost area you will notice three stitches. Pam often adds elements of surprise to her masterpieces. These three stitches are my surprise touch.
  • One Bead: Adding further excitement is the addition of an unusual single teal bead. The bead was purchased from Etsy long before I began this project. Since then I had been waiting for just the right opportunity to use it. This project seemed like the perfect place.
  • Three Small Beads: The goal of a balanced quilt is evenly distributed color. To spread the presence of teal in yet another location, three small teal beads were stitched to the black horizontal fabric strip.
  • Zigzag Stitch: The grouping of fabric strips with uneven lengths and varied colors have raw edges. Normally raw edges would be secured inside a seam. Since these were not I added a row of zigzag stitching to prevent unraveling.
  • Black Strip: Although it may be hard to tell the horizontal black strip extends beyond the mini quilt’s edges on both sides. Each end of the strip was stitched together to protect the unfinished edges.

The Name

Here’s why I’ve named my piece Wise Old Owl:

  • The teal triangle reminds me of eyebrows.
  • The two small grey triangles, on either side of the eyebrows, look like eyes,
  • The short black vertical strip of fabric beneath the eyes forms a beak.
  • The horizontal black strips extending beyond the sides of the quilt look like outstretched wings.

Finishing Touches

Ms. Wise Old Owl has a black binding to protect her delicate edges. Her backside is covered with a matching black fabric. Inside she is kept warm by a layer of Warm & Natural batting. She measures 13 x 8″.

Wise Old Owl, AP # 76
A Closer Look at some of the Owl’s Details

Thank You for visiting!

X’s and O’s, AP # 75


Sidetracked

Before heading to Woodland Ridge for Pam Beal’s class, I stopped in Menomonie at the cutest little fabric shop called Thread Lab. The art piece I will share today incorporates three of the fabrics purchased during my shopping spree.

Undivided Attention

This is the third post featuring art quilts resulting from my attendance at Pam Beal’s class Minimalist Design, Maximum Impact.

One of the concepts I learned there was

“L” Shape Balance.

What??

Those that read and write the English language are familiar with the letter “L”. The “L” begins with a downward swipe of the pen, then continues on toward the right. These two lines form a ninety degree angle.

The English language is read from top to bottom and left to right. This top to bottom, left to right flow is replicated in the letter “L”. When viewing art our eye travels along the same path.

Lets Review

If you recall, I mentioned earlier one of the traits Pam said was important for a successful art piece. The term I am referring to is “L” Shape Balance. If my quilt were to achieve “L” Shape Balance then my eye would begin in the top left corner and proceed across and down the surface.

I believe my mini art piece achieves that balance. The blue fabric, situated to the left of the center, echoes the downward movement of a pen creating the first part of an “L”. The grey fabric directly below can be identified with the left to right swipe.

Did I loose you?

In other words, my eye first travels from top to bottom down the surface of the blue fabric. Next it makes a right angle and follows along the grey strip to the outer right edge.

Is that better?

X’s and O’s

X’s and O’s are often used to signify a hug and a kiss when writing sentiments in, say for instance—a card. I’ve titled today’s art piece X’s and O’s not because I’m sending you a kiss or a hug. Instead I’ve chosen this reference because of the fabrics I used to create it.

X's and O's
X’s and O’s, AP # 75

If you look closely in the body of my piece you will see skinny strips of fabric accentuated by the letter “X”. You will also notice a blue fabric decorated with black dots. The “X’s” and dots, or “O’s” were the inspiration for my quilt’s name.

What’s Left?

Let’s look at the remaining features of my art piece. This small art quilt was made using three different colors—black, grey and blue. The

  • blue fabric with the black dots;
  • the grey and black fabric with the x’s; and
  • the darker grey and black near the bottom

were purchased during my fabric shopping trip. The balance of the other fabrics were harvested from my stash.

Hand Quilted

Years and years ago I tried mastering the art of hand quilting. After several attempts I threw in the towel and turned to machine quilting. Hand quilting is Pam’s preferred method. After seeing Pam’s masterpieces and how lovely they looked with her stitching I decided to give it another try.

Thread Colors

I chose three thread colors for my stitching.

  • The grey fabrics were accented with grey thread.
  • Black thread was my obvious choice for the two black border pieces.
  • In the remaining sections I used a soft blue.

After achieving a workable rhythm I actually grew to appreciate hand quilting. The somewhat uneven appearance of my stitches gives my small project a more rustic texture.

Surprise!

Strategically placed stray stitches along with random beading are Pam’s go-to-method for adding elements of surprise. Using this for my inspiration I added a few stray stitches along with four French knots in the quilt’s right, grey panel. These two elements add a little sparkle.

The Little Things

Now that we have examined the obvious details let’s take one last look at the unmentioned features.

  • X’s and O’s measures 14” L x 8 5/8“ w.
  • Surrounding my quilt is a binding made from black fabric.
  • In between the quilt sandwich is a layer of Warm & Natural batting.
  • The back is protected by a layer of black fabric.
  • A hanging sleeve and label have been attached as well.

That’s A Wrap

With so much to share, this has been a very long post. I think you would agree though that it was well worth the read.

Thank you so much for sticking with me. Let’s do this again!

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