Tiny House Village, Art Piece # 164

Tiny House Village, Ap 164

I am fascinated by the programs on television that share the pros and cons of the tiny house movement. This fiber art piece, with all of its interconnected fabric squares and rectangles brought to my mind a vision of how a tiny house village might appear. This vision, along with the image created on the back side by the quilting, inspired me to name my composition Tiny House Village.

Tiny House Village was created using scraps of fabric layered on top of a sandwich of cotton batting and muslin. Above the fabric collage is a layer of netting. I used the netting to help hold the free-floating fabric scraps in place; also utilized was a large quantity of safety pins. Using a variegated thread I machine quilted a continuously moving geometric pattern. To protect the outer raw edges I added a binding made from a rust colored, cotton fabric. A hand stitched label was secured to the back along with a hanging sleeve. Tiny House Village, in its completed state, measures 17” x 21 1/2”.

This is my abstract interpretation of a tiny house village.

Tiny House Village, Ap 164
Tiny House Village, Art Piece # 164
Tiny House Village, Art Piece # 164, Back View
Tiny House Village, Art Piece # 164, Back View

thank you!

Before closing let me thank you for showing an interest in my activities. I am grateful for your participation and look forward to your comments.

Best wishes for a wonderful day!

The Colors of Nature, Art Piece # 121

The Colors Of Nature, AP 121

Eco Dyeing:

In 2019 I attended a class led by Lisa Binkley. The subject of the class was eco dyeing. Put simply, eco dyeing is a process used to dye fabrics or paper using plant material. During the class we experimented with a variety of techniques. From those explorations I harvested several specimens. The center strip of this composition was taken from one of my dyed fabrics.

Layering:

The eco dyed material was layered on top of turquoise wool. Beneath that is a fringed section of burlap. A row of stitching was added near the edges of the burlap to prevent further unraveling. Borders of a floral print fabric, a blue material with a bed spring design and a solid grey were added for interest.

Embellishments:

To add a touch of flair I stitched a row of hand stitching around the perimeter of the eco dyed fabric. Also added were random black French knots. I also stitched around the outer edges of the floral petals and centers. Densely populated French knots were stitched in the middle of the flowers. The blue fabric printed with abstract bed springs received special attention too. Following the outlines of the faux bed springs I added a running stitch with a matching colored thread. The grey fabric was also quilted; running along the inner edges I stitched a simple straight stitch.

To polish off this extra special composition I hand stitched my signature in the bottom right corner and added a silver dragonfly embellishment. I also made a jazzy label for the back. The lettering of the label was hand stitched with earthen colored thread. A decorative row of stitching adorns its outer edges. A hanging sleeve made from the same grey fabric as the outermost border was attached to the back of my fiber art piece with blue hand stitching. In its finished form, The Colors of Nature measured 14 1/4” x 28”.

Before selecting a name for this unusual art quilt I paused for a moment to take in the details as well as the overall appearance. Through my observations I took note of the colors, techniques and special features. All of them brought back memories of my wanderings outdoors. I chose to recognize the varied colors exhibited by nature as the inspiration for this piece.

The exhibit:

This item was included in an exhibit at the UW Madison Arboretum. Mary Oliver and her poems was the theme of the show.

If you gaze at the center area of the art quilt you will find an imprint left from leaves used during the eco printing process. These images remind me of the leaf in Mary Oliver’s poem titled “Autumn Leaves.” Mary refers to the leaf as “Shining-Leaf, or Drifting-Cloud or The-Beauty-of-the-Night.” In my eco printed fabric the scattered leaf images seem as if they are aloft, “cheerful as birds” floating through the air as Mary’s “Shinning-Leaf.”

Needing one, I invented her –

the great-great-aunt dark as hickory

called Shinning-Leaf, or Drifting-Cloud

or The-Beauty-of-the-Night.

Dear aunt, I’d call into the leaves,

and she’d rise up, like an old log in a pool,

and whisper in a language only the two of us knew

the word that meant follow,

and we’d travel

cheerful as birds

out of the dusty town and into the trees

where she would change us both into something quicker –

two foxes with black feet,

two snakes green as ribbons,

two shimmering fish – and all day we’d travel.

At day’s end she’d leave me back at my own door

with the rest of my family,

who were kind, but solid as wood

and rarely wandered. While she

old twist of feathers and birch bark,

would walk in circles wide as rain and then

float back

scattering the rags of twilight on fluttering moth wings;

or she’d slouch from the barn like a gray opossum;

or she’d hang in the milky moonlight

burning like a medallion,

this one dream, this friend I had to have,

this old woman made out of leaves.

Autumn Leaf By Mary Oliver

Let’s look at photos of my finished project.

The Colors Of Nature, AP 121
The Colors Of Nature, Art Piece # 121
The Colors Of Nature, AP 121, Detail
The Colors Of Nature, Art Piece # 121, Detail
The Colors Of Nature, AP 121 Dragonfly
The Colors Of Nature, Art Piece # 121, Dragonfly

Last A Life Time:

I had a wonderful time in Lisa’s class, dyeing my fabrics, creating my one-of-a-kind art quilt and participating in the special exhibit. The adventures will have a lasting impact on my life for years to come.

thank you!

Before closing let me thank you for showing an interest in my activities. I am grateful for your participation and look forward to your comments.

Best wishes for a wonderful day!

Ragged Edges, Art Piece # 83 Renovation

Ragged Edges, AP 83 Ready For Renovation

operation renovation:

Many years ago I created a number of small fiber art pieces, all of which were framed with facings or a binding. Early in 2020 I made the decision to remove those finishing touches from a number of my projects. My intention was to modify them to make each suitable for mounting on a stretched canvas frame. This specimen was one of the candidates.

Ragged Edges, AP 83 Ready For Renovation
Ragged Edges, Art Piece # 83, Ready For Renovation

two new borders:

In its new and improved state, the small quilt went from 5 3/4” x 8 3/4” to 11” x 14”. Two borders were added to facilitate the increase in size. Border number one is a lime green cotton. Surrounding that fabric is a lively, multi-colored border. The second border has some of the same colors as in the original design.

machine quilting:

The original version of the small composition contained a combination of hand and machine quilting. Before mounting the new and improved fiber art piece on canvas I embellished the added borders with machine stitching. To the lime green border I added two rows of straight stitching using a variegated thread. The multi-colored cotton fabric has a continuous line of stitching that marches back and forth across the entire border using the same thread as was used in the first.

don’t fix it:

When this item was originally created I named it Ragged Edges. I chose to give the small art piece that identity because of the stacked fabric squares; all of them have raw edges. Even though the renovation added a huge splash of color the focus of the fiber art piece was still the same. There is a famous saying that says, “If it ain’t broke, don’t fix it.” So I didn’t fix it.

This is how my new and improved project looks now.

Ragged Edges, AP 83
Ragged Edges, Art Piece # 83

thank you!

Before closing let me thank you for showing an interest in my activities. I am grateful for your participation and look forward to your comments.

Best wishes for a wonderful day!