I am excited to be sharing another finished art project. Today’s item was started during my adventures with Pam Beal at her class Minimalist Design, Maximum Impact.
Being only 2 1/2 x 2 1/2” in size I’m absolutely certain you can figure out the reason for her name. This teeny tiny specimen was made from one of my leftover scraps.
Itty Bitty certainly meets the criteria for minimalism:
a style or technique that is characterized by extreme spareness and simplicity
Miriam-Webster
Being so small, Itty Bitty doesn’t need a fancy introduction. All of her features can easily be seen in the photo below. Say hello to Itty Bitty, AP # 78!
One of the joys of finishing an art piece is sharing it with you. My most recent finish is a piece titled Wise Old Owl, AP # 76. Read on to discover it’s details.
The Beginning
I participated in Pam Beal’s class Minimalist Design, Maximum Impact back in the spring of 2018. The specimen being shown today was started during that class.
This quilt, as with many others, started from leftover scraps. If you refer to the photo below you will see them in the center of the art piece. They are the dangling strips of random fabrics. This odd grouping adds an unexpected point of interest. Further interest was added through these special features:
Three Stitches: In the quilt’s uppermost area you will notice three stitches. Pam often adds elements of surprise to her masterpieces. These three stitches are my surprise touch.
One Bead: Adding further excitement is the addition of an unusual single teal bead. The bead was purchased from Etsy long before I began this project. Since then I had been waiting for just the right opportunity to use it. This project seemed like the perfect place.
Three Small Beads: The goal of a balanced quilt is evenly distributed color. To spread the presence of teal in yet another location, three small teal beads were stitched to the black horizontal fabric strip.
Zigzag Stitch: The grouping of fabric strips with uneven lengths and varied colors have raw edges. Normally raw edges would be secured inside a seam. Since these were not I added a row of zigzag stitching to prevent unraveling.
Black Strip: Although it may be hard to tell the horizontal black strip extends beyond the mini quilt’s edges on both sides. Each end of the strip was stitched together to protect the unfinished edges.
The Name
Here’s why I’ve named my piece Wise Old Owl:
The teal triangle reminds me of eyebrows.
The two small grey triangles, on either side of the eyebrows, look like eyes,
The short black vertical strip of fabric beneath the eyes forms a beak.
The horizontal black strips extending beyond the sides of the quilt look like outstretched wings.
Finishing Touches
Ms. Wise Old Owl has a black binding to protect her delicate edges. Her backside is covered with a matching black fabric. Inside she is kept warm by a layer of Warm & Natural batting. She measures 13 x 8″.
Wise Old Owl, AP # 76 A Closer Look at some of the Owl’s Details
The older I get the stronger my desire to explore and experience the many forms of art. I’ve been very fortunate to have the opportunity to attend numerous classes—each one exposing me to techniques or philosophies I have not tried.
One of the classes I attended was Pam Beal’s Minimalist Design, Maximum Impact. If you click on the link attached to the class name you will be taken to the blog post she shared once our class was complete. Within that post is numerous photos of her own work as well as the work of her students. Photos # 7, 8 and 10 show a few of my projects. Photo # 8 is the subject of today’s story.
Let’s Begin!
1973 was the year I graduated from high school. My graduating class contained 400+ students—way too many to remember them all by name.
Our official school colors were cardinal and grey. Often times they were referred to as red and grey by our cheerleaders. I can still recall one of the chants—
Red and grey,
red and grey,
fight, fight!
The Name Is…
Recently I put finishing touches on a small art quilt started while attending Pam Beal’s class.
After adding the last detail I always give my art quilts a name. Sometimes the process turns very slowly—in this instance it was quick and painless.
My Assistant
My husband is very familiar with my class colors and the year of my graduation. When I proudly shared my finished piece he instantly named the quilt
1973
in honor of my high school graduation and my class colors.
1973, AP # 74
Distinguishing Features
Pam Beal’s quilts primarily contain straight line piecing. On occasion she adds an element of surprise through circles or curved pieces.
Following in Pam’s footsteps, 1973 was assembled with geometric, straight-line shapes. Added for pizazz were two gently curved strips—one each in the upper and lower quadrants.
These wavy lines add interest and movement by drawing your eye from one side to the other. Pam emphasized that a well-balanced piece will
keep your eye moving.
One way of providing movement is to
bring your elements (i.e. colors, piecing, quilting) off the page,
or in this case, off the mini quilt.
I think 1973 has achieved that feature through the addition of those strips.
Color Pallet
Since the theme of the class was minimalism I kept my color pallet simple. Chosen were grey, both light and dark; fuchsia; white and black. The grey tones are not part of my normal color family. In fact, grey is one of my least favorite colors. Given that this class was supposed to help me reach outside my comfort zone I made the decision to challenge my norms by adding colors unusual to me.
Another Door
Minimalist Design, Maximum Impact taught me the qualities of a well-balanced art piece. Learning these traits opened my eyes to new opportunities to analyze my own work. These revelations, in essence, swung open another door.
Doorway Features
Just as with Blue Doorthis mini art piece also reflects the imagery of a doorway.
The doorway was assembled using strategically placed rectangles of color.
Standing outside looking in you will notice a window made from fuchsia cotton fabric.
Radiating from the window is additional rectangular shapes fashioned from a soft grey, more fuchsia and white. These added fuchsia and white fabrics give the door interest.
Emphasizing the image of a door knob is the oversized silver snap.
Strips of fuchsia colored cotton lead your eye to the outer right edge of my piece. By leading your eye in that direction I am enticing you to reach for and turn the door knob.
To add even more interest and encouragement of motion I added hand quilting. The stitched lines in and around the door bring your focus to the opportunity for discovery. An open door can lead to new and exciting experiences.
The grey stitches reaching from the left edge outward to the right give my piece even more movement. A movement that should also tease you to open wide the door.
The Final Details
1973
Measures: 11 7/8” L x 9 3/8” W
It Contains: Cotton fabrics
Is bound and backed with: Black fabric
Is sandwiched with: Warm & Natural Batting
In Conclusion
This was the second of many art quilts to develop during the Minimalist Design, Maximum Impact class. I will continue to reveal the other ones in future posts.
I hope that you have enjoyed reading about and seeing my latest art piece. Perhaps the tips shared will help you when analyzing your own works of art.
Please Share!
If there were aspects of my quilt or techniques that you found interesting, please share those thoughts. I learn so much from your comments.
Thank You!
Thank you for visiting! I look forward to our next opportunity.
