Trudy, Art Piece # 58 Renovation

Court House Friends 13 of 14, AP 58

Exhilarating:

Creating an art piece from scratch is an exhilarating experience; choosing to reinvent it is even more stimulating and that is what I did to a project I formerly called Courthouse Friends # 13 of 14. Today’s journal entry will address her butterfly moment.

Courthouse Friends Thirteen of Fourteen, AP 58
Court House Friends Thirteen of Fourteen, Art Piece # 58

Original Appearance:

I have a tub filled with random quilt blocks. Some of them are leftover from other projects and others were thought too ugly to use. This item was created from one of the ugly ones. Typically my first step is to slice the ugly block into strips or sections. After slicing this one I decided to rearrange the strips to achieve a more pleasing appearance.

Immediately surrounding the renovated center is a white border. Chosen for color replication was a batik with leopard-like spots. The spots mimicked the design of the small lilac strip in the center of the quilt. Giving the composition movement are the spots that almost appear to dance around the perimeter.

The Beginning:

Early in 2020 I decided to reinvent a number of my art pieces. This item was one of the specimens I tackled. To begin the task I first had to remove the facings that surrounded the outer edges. After removing them I decided to add two new borders using a light grey and a multi-colored print fabric.

Embellishments:

With the functional tasks complete I turned my focus to the embellishments. The previous version, of this art quilt, had been assigned an identity that recognized its origin; a court house square block. Since I had decided to refurbish the fiber art piece I saw no reason to maintain that existence. To carryon with that goal I studied the image to learn about its features. This exploratory phase revealed to me an image; that of a bird.

Let’s Make That Happen:

To convert the pieced center into a bird I added feathers using one of my favorite stitches, the drizzle stitch. A variety of thread colors, many of which were already incorporated in the fabrics, were used to create the spiral-like protrusions; their presence gives this item a playful appearance.

The added embellishments didn’t stop there. In the white background I echoed around the bird as well as other defined areas. The leopard-like print border was given rows of wonky x’s and sporadically placed grey French knots. In the grey, I added a single row of running stitch. The very last embellishment this lady received was her beautiful, two-tone blue eye.

New Name:

With the amazing renovation just completed it seemed only natural to give the lovely lady a new name. Her playful nature inspired me to call her Trudy. I have a second project that has similar elements. These two snazzy birds, when lined up correctly will face each other. Trudy’s sister is known as Gertrude. You will find her story here.

Take a look at Trudy.

Trudy, AP 58
Trudy, Art Piece # 58

Isn’t she sweet!  I would love to hear your thoughts!

Thank You:

Thank you for visiting! I look forward to our next adventure.

Gertrude, Art Piece # 57 Renovation

Exhilarating:

Creating an art piece from scratch is an exhilarating experience; choosing to reinvent it is even more stimulating. A project I once called  Courthouse Friends # 12 of 14 was the latest item to be transformed. Today’s journal entry will address her butterfly moment.

Original Appearance:

I have a tub filled with ugly quilt blocks; this item was created from one of those blocks. Typically the first step in reclaiming a block is to slice it into strips or sections. The strips are then reorganized until a pleasing arrangement is achieved.

To these reinvented strips a white border was added. Surrounding that border is a batik with leopard-like spots. The spots mimicked the design of the small lilac strip in the center of the quilt. The spots almost appear to dance around the perimeter.

The Beginning:

Early in 2020 I decided to reinvent a number of my art pieces and this was one of the specimens I tackled. To begin the task I removed the facings surrounding the outer edges. Next I added two new borders using a light grey and a multi-colored print fabric.

Embellishments:

With the functional tasks complete I turned my focus to the embellishments. The previous version, of this art quilt, had been assigned an identity that recognized its origin…a court house square block. Since I had decided to refurbish the fiber art piece I saw no reason to maintain that existence. As I studied the composition I discovered the image of a bird. This revelation paved the path for my next steps.

Let’s Make That Happen:

To turn the pieced center into a bird I began by stitching a row of dark blue thread around the perimeter. Next I added feathers using one of my favorite stitches, the drizzle stitch. A variety of thread colors, many of which were already incorporated in the fabrics, were used to create the spiral-like protrusions; their presence gives the bird a playful appearance.

Continuing on with the embellishments I echoed around the edges of the white fabric with thread. The leopard-like border was given rows of wonky x’s and sporadically placed grey French knots. In the grey, I added a single row of running stitch. The very last embellishment this lady received was her beautiful, two-tone blue eye.

New Name:

With the amazing renovation just completed it seemed only natural to assign the lovely lady a new name. Her playful nature inspired me to call her Gertrude. I have a second project with similar elements which will be shared in a future post. These two snazzy birds, when lined up correctly will face each other. Gertrude’s sister is known as Trudy. Keep an eye out for Trudy’s debut.

This is Gertrude.

Gertrude, AP 57
Gertrude, Art Piece # 57

Isn’t she sweet!

Thank You:

I would love to hear your thoughts! Thank you for stopping by! I look forward to our next adventure.

Abstract Log Cabin, Art Piece # 38

Bubbles, AP 38

Operation Renovation:

On my agenda today is the continuation of Operation renovation. I began a series earlier this year to adapt several of my fiber art pieces for mounting on stretched canvas frames. The candidates chosen were items that had been completed months or even years ago. In my opinion, all of them had a mediocre existence.

To prepare my subjects for a make-over I first stripped away their bindings and other finishing touches. Once that was complete the renovation process could begin. Some of the changes were subtle while others were quite dramatic; watching each one morph from its original status to a freshly refurbished fiber art piece was amazing.

In The Beginning:

This specimen was originally created as a building block for Neighbors, Art Piece # 37.

Neighbors, AP 37 Neighbors, Art Piece # 37

 

After struggling to fit it into the design I made the decision to keep it as a solo specimen.

Bubbles, AP 38 Bubbles, Art Piece # 38

 

 

 

The center of the block was a leftover scrap from one of my earlier art pieces. Thankfully I saved the remnant because it made a great building block for this one. The pieced center is surrounded by two borders; the first is a shade of magenta and the second a faded denim. In it’s original version, the fiber art piece was quilted with a straight-line motif using a variegated thread.

The Renovation:

During my quest to repurpose/reinvent a number of my specimens I chose this one as a candidate. Not too much had to be done to adapt it for mounting on a stretched canvas frame. The original facings were stripped away. The resulting raw edges were then trimmed to freshen them up. A new border was added to adapt it for mounting on canvas. To blend the original faded denim border with the new addition I chose to use the same color fabric. Once the size was adequate for mounting I added a layer of batting and backing, then attached the sandwich to the frame.

Hand-Stitching:

Typically once the fiber art quilt is attached no further stitching is required; however, lately I have been adding a variety of hand stitches to some of my smaller pieces. The hand stitches add an element of design that would not be possible with a sewing machine. When the items are small they are easy to work with because the wooden frame acts as an embroidery hoop, giving the fabric stability.

Essential Element:

For this item hand stitching was essential. While the colors of the specimen were interesting they lacked the luster I desired. To initiate my embellishment process I selected an overly large button with numerous holes. Rather than stitching it to the frame with the button perpendicular to its edges  I chose to place it on the diagonal. Next I secured the button in place by running a few simple stitches through the holes; which by the way are difficult to see now.

Drizzle Stitch:

Sue Spargo has a book called Creative Stitching, Second Edition. I enjoy reading through and experimenting with some of the stitches in her book. One of my favorites is the drizzle stitch. The three dimensional stitch creates twisted protrusions that extend above the fabric surface. The holes of my added button seemed like the perfect place to insert them.

Look closely and you will see that I used a variety of thread colors and lengths of drizzle stitch to fill in the holes of the button. The combination of the on-point button and the drizzle stitches reminded me of a flower’s center. To capitalize on that idea I added four groupings of hand-applied stitching along the sides of the button. Each of the lines is capped-off with a matching colored French knot. The added lines represent the petals of a flower.

Wow:

With the addition of the button, and hand stitching this composition went from ho hum to WOW; which makes this operation renovation project an obvious success. I’m so glad I decided to give this small fiber art piece a second chance.

New Identity:

Originally titled Bubbles because of the circles seen throughout many of the fabrics, I decided the title no longer applied. While pondering the many available options,  I very easily could have selected something with a floral theme; instead I chose to identify the structure of the original block as the basis for the new name. This block has the essence of a log cabin design. Going with that as my significant feature I have named this item Abstract Log Cabin, Art Piece # 38.

This is how my newly renovated project looked when she left the studio.

Abstract Log Cabin, AP 38 Abstract Log Cabin, Art Piece # 38

 

Final Details:

In it final form Abstract Log Cabin measures 12” x 12” x 1 1/2”. Added to the back of the frame is a paper barrier to protect the art piece from dust and bugs. Two d-rings and wire were attached to make it easy to be hung on a wall. Also added are silicone bumpers to help with stability and encourage ventilation.

Opinions Wanted:

So, what do you think? Was this a worthwhile project? Does the composition look better now than she did before?

Thank You:

Thank you for reading to the very end!

Have a grand day!

Cindy Anderson

Fiber Art By Cindy Anderson