Many Dots, AP # 82


Polka dots and French knots are two of my favorite things to add to art work—the quilt I’m revealing today has plenty of both. Many Dots, AP # 82 was given its name because of its circular elements.

Also incorporated are leftover scraps from previous projects. You will see them near the center. The first is a triangular grouping of green fabrics. The second section is directly to the right. Both were partnered with fabrics that nicely meld them all together. I really like it when I can find a use for remnants too good to toss.

To finish my project I added a mixture of hand and machine quilting. I also included three turquoise beads and a matching lime green button. My striking, newly finished art quilt looks like this.

Many Dots, AP # 82

Thank You for sharing your time!

Once In A Blue Moo, AP # 81


“Once in a blue moon” is a well-known idiom. The phrase refers to the occurrence of a second full moon within a calendar month. This phenomena only happens about once every thirty-two months.

The phrase “Once in a Blue Moon was the inspiration for today’s art quilt. Initially begun at the Pam Beal Minimalist Design, Maximum Impact class, this project took on a whimsical nature with the addition of an unusual embellishment and fabric strip.

Once In A Blue Moon Moo, AP # 81

A quick glance at the above photo reveals the presence of a vertical navy blue section of fabric with the word Moo repeatedly printed on its surface. This piece of fabric gave me the idea to call my project Once In a Blue Moon Moo. 

A careful tour of the 7 3/4 x 7 3/4” art quilt will reveal:

  • the presence of a multi-colored barn with;
  • a stylish, wood-grained, teal door;
  • sporting a teal zipper pull to act as the door’s handle;
  • a chimney fashioned from a tiny teal fabric scrap;
  • a grassy base represented by the fringed, teal, horizontal, fabric strip;
  • cleverly applied hand quilting using both matching and coordinating colors (note the stitches used to represent smoke arising from the chimney);
  • as well as a machine applied zig-zag stitch to secure raw edges.

All of these added elements helped to make this special art quilt a great addition to my portfolio. I hope that after you have examined each of my design elements you too will be able to grasp my vision.

Thank You for sharing your time!

Cobblestones, AP # 80


Today I am sharing another finished art piece. This one is called Cobblestones, AP # 80.

While in Ohio at the 2017 Quilt Surface and Design Symposium (QSDS) I used my spare time to document my visit through photographs. One of the photos I took was of an exposed section of cobblestones peaking through a layer of bricks and asphalt. The photo provided inspiration for my Cobblestones quilt.

A Cobblestone Street

Cobblestone features an off-centered grouping of tiny colorful squares enveloped by strips of a soft mint colored fabric. The tiny squares, or artistically replicated cobblestones, were quilted with minimally spaced, hand-applied stitches. The soft mint fabric sections were quilted with matching thread using both machine and hand stitching. Cobblestone measures 10 x 4 1/2”.

This very simple masterpiece initially took shape during Pam Beal’s class Minimalist Design, Maximum Impact. The finishing touches were applied in my studio at home. If Pam were to see it today I believe she would say that it definitely fits into the minimalist category. Here’s my finished piece.

Cobblestones, AP # 80

Thank You for sharing your time!

Wise Old Owl


One of the joys of finishing an art piece is sharing it with you. My most recent finish is a piece titled Wise Old Owl, AP # 76. Read on to discover it’s details.

The Beginning

I participated in Pam Beal’s class Minimalist Design, Maximum Impact back in the spring of 2018. The specimen being shown today was started during that class.

This quilt, as with many others, started from leftover scraps. If you refer to the photo below you will see them in the center of the art piece. They are the dangling strips of random fabrics. This odd grouping adds an unexpected point of interest. Further interest was added through these special features:

  • Three Stitches: In the quilt’s uppermost area you will notice three stitches. Pam often adds elements of surprise to her masterpieces. These three stitches are my surprise touch.
  • One Bead: Adding further excitement is the addition of an unusual single teal bead. The bead was purchased from Etsy long before I began this project. Since then I had been waiting for just the right opportunity to use it. This project seemed like the perfect place.
  • Three Small Beads: The goal of a balanced quilt is evenly distributed color. To spread the presence of teal in yet another location, three small teal beads were stitched to the black horizontal fabric strip.
  • Zigzag Stitch: The grouping of fabric strips with uneven lengths and varied colors have raw edges. Normally raw edges would be secured inside a seam. Since these were not I added a row of zigzag stitching to prevent unraveling.
  • Black Strip: Although it may be hard to tell the horizontal black strip extends beyond the mini quilt’s edges on both sides. Each end of the strip was stitched together to protect the unfinished edges.

The Name

Here’s why I’ve named my piece Wise Old Owl:

  • The teal triangle reminds me of eyebrows.
  • The two small grey triangles, on either side of the eyebrows, look like eyes,
  • The short black vertical strip of fabric beneath the eyes forms a beak.
  • The horizontal black strips extending beyond the sides of the quilt look like outstretched wings.

Finishing Touches

Ms. Wise Old Owl has a black binding to protect her delicate edges. Her backside is covered with a matching black fabric. Inside she is kept warm by a layer of Warm & Natural batting. She measures 13 x 8″.

Wise Old Owl, AP # 76
A Closer Look at some of the Owl’s Details

Thank You for visiting!

X’s and O’s, AP # 75


Sidetracked

Before heading to Woodland Ridge for Pam Beal’s class, I stopped in Menomonie at the cutest little fabric shop called Thread Lab. The art piece I will share today incorporates three of the fabrics purchased during my shopping spree.

Undivided Attention

This is the third post featuring art quilts resulting from my attendance at Pam Beal’s class Minimalist Design, Maximum Impact.

One of the concepts I learned there was

“L” Shape Balance.

What??

Those that read and write the English language are familiar with the letter “L”. The “L” begins with a downward swipe of the pen, then continues on toward the right. These two lines form a ninety degree angle.

The English language is read from top to bottom and left to right. This top to bottom, left to right flow is replicated in the letter “L”. When viewing art our eye travels along the same path.

Lets Review

If you recall, I mentioned earlier one of the traits Pam said was important for a successful art piece. The term I am referring to is “L” Shape Balance. If my quilt were to achieve “L” Shape Balance then my eye would begin in the top left corner and proceed across and down the surface.

I believe my mini art piece achieves that balance. The blue fabric, situated to the left of the center, echoes the downward movement of a pen creating the first part of an “L”. The grey fabric directly below can be identified with the left to right swipe.

Did I loose you?

In other words, my eye first travels from top to bottom down the surface of the blue fabric. Next it makes a right angle and follows along the grey strip to the outer right edge.

Is that better?

X’s and O’s

X’s and O’s are often used to signify a hug and a kiss when writing sentiments in, say for instance—a card. I’ve titled today’s art piece X’s and O’s not because I’m sending you a kiss or a hug. Instead I’ve chosen this reference because of the fabrics I used to create it.

X's and O's
X’s and O’s, AP # 75

If you look closely in the body of my piece you will see skinny strips of fabric accentuated by the letter “X”. You will also notice a blue fabric decorated with black dots. The “X’s” and dots, or “O’s” were the inspiration for my quilt’s name.

What’s Left?

Let’s look at the remaining features of my art piece. This small art quilt was made using three different colors—black, grey and blue. The

  • blue fabric with the black dots;
  • the grey and black fabric with the x’s; and
  • the darker grey and black near the bottom

were purchased during my fabric shopping trip. The balance of the other fabrics were harvested from my stash.

Hand Quilted

Years and years ago I tried mastering the art of hand quilting. After several attempts I threw in the towel and turned to machine quilting. Hand quilting is Pam’s preferred method. After seeing Pam’s masterpieces and how lovely they looked with her stitching I decided to give it another try.

Thread Colors

I chose three thread colors for my stitching.

  • The grey fabrics were accented with grey thread.
  • Black thread was my obvious choice for the two black border pieces.
  • In the remaining sections I used a soft blue.

After achieving a workable rhythm I actually grew to appreciate hand quilting. The somewhat uneven appearance of my stitches gives my small project a more rustic texture.

Surprise!

Strategically placed stray stitches along with random beading are Pam’s go-to-method for adding elements of surprise. Using this for my inspiration I added a few stray stitches along with four French knots in the quilt’s right, grey panel. These two elements add a little sparkle.

The Little Things

Now that we have examined the obvious details let’s take one last look at the unmentioned features.

  • X’s and O’s measures 14” L x 8 5/8“ w.
  • Surrounding my quilt is a binding made from black fabric.
  • In between the quilt sandwich is a layer of Warm & Natural batting.
  • The back is protected by a layer of black fabric.
  • A hanging sleeve and label have been attached as well.

That’s A Wrap

With so much to share, this has been a very long post. I think you would agree though that it was well worth the read.

Thank you so much for sticking with me. Let’s do this again!

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