Ms. G., my longest running customer, was at it again! Just when I think she is finished making quilts for her family and friends she creates yet another one. Her quilts are always so imaginative, so creative.
The specimen she presented recently was made for a young man with many interests. As you will see from the photos he enjoys zombies, Minecraft, the Greenbay Packers, Milwaukee Brewers, among other things. She even added a tie and a hand-made block created by the young man.
Ms. G and I put a lot of thought into the thread colors and stitch patterns. Our plan was to choose colors that would blend well with the fabrics and stitch patterns that would accentuate her artistic design. I think we met both of our goals. The quilt measures 72″x 57″. Take a look.
Well, what do you think?
I’m very happy that you were able to stop by to see Ms. G’s latest masterpiece. Thank you Ms. G. for allowing me to work with another one of your projects.
There is a local fabric store that is celebrating their first anniversary in business. To honor this anniversary they have offered a challenge. The challenge is to create a quilt measuring no larger than 20” x 20”. The deadline to submit entries is March 31, 2018. All projects must include this fabric.
So How Come?
Sound familiar? Sure it does! It is almost identical to the challenge I am running on this blog.
So how did I let myself get involved in another Mystery Challenge? I have frequented this store many times to search out fabrics for my ongoing projects. Their inventory includes many unusual prints which makes them a great resource. I’ve often been able to find just the right item to fit my needs. I also receive their newsletters.
In one of their emails they shared information about their upcoming anniversary as well as the opportunity to participate in their Mystery Challenge. As incentive to encourage participation they are offering cash prizes. The thought of winning cash probably draws people in but there is a small catch…an entrance fee. It’s not incredibly expensive. Just makes the cost of a fat quarter a bit much if one doesn’t follow through with the challenge.
The chance of winning money, surprisingly, is not my reason to join. The fabric wasn’t the draw either because I’m not particularly fond of the print or the colors. Gaining exposure through the judging process is what drew my attention. After tossing the idea around in my head, over and over again, I finally decided to take a leap. So here I am creating another project.
improvisation challenges you to rethink your common practices
Those were only a few of the words Sherri uses to describe improv. She also describes improv in this way:
Commitment on the Edge of the Unknown (page 97)
Where Should I Start?
The best place to start with a book is usually at the beginning. Like most books Sherri’s is divided into chapters, or scores, as she refers to them. I have read Sherri’s book from cover to cover many times. Many of the processes in her book The Improv Handbook for Modern Quilters: A Guide to Creating, Quilting, and Living Courageously are very familiar to me. The scores on curved piecing were the most intriguing though. Having already been exposed to the others I have decided to skip ahead and jump right into the fire. I’m going to begin with the “unknown.”
Score # 9
Using Sherri’s book as my inspiration I am going to follow her “Score # 9” to create my first “curved piece.” This will be a learning experience and a great opportunity to expand my horizons. So, let’s get started.
My first task was to harvest fabrics from my inventory to pair with the assigned fabric. I pulled some pinks, greens, oranges and blues. The focus fabric has hints of lime green incorporated in the pattern. Since lime green is one of my favorites I made sure that color was included.
I used my camera to take both color as well as mono photos of my fabrics to analyze them for their values. My hope was to achieve a well-rounded selection from the start.
Twisted Threads Colors Selection
Twisted Threads Mono Tones
Here’s how my color choices stacked up.
After choosing my fabrics it was time to get the construction process started.
Let’s Cut Fabric
I didn’t exactly follow Sherri’s instructions to a tee. She suggests using a scissors rather than a rotary cutter. I tried doing that but wasn’t fond of how my strips turned out. It is possible that if I had my scissors sharpened I may have been more successful. Not wanting to be bothered with that now I chose to use my rotary cutter. Keeping that sharp is much easier. I also used a ruler. Sherri believes in cutting her fabrics free-hand but once again I wasn’t pleased with that outcome either. Aren’t I a rebel!
I created many sets of wedge strips; here’s one of them.
Below is a larger selection.
Next I stitched groupings of wedge strips together.
Notice all the pins. Sherri uses loads of pins to temporarily hold her wedge strips together. This makes it easier to keep the strips aligned while stitching. Of course each pin is removed just before the needle reaches it. The more pins the better.
This is what a strip looked like after it was stitched but before it was pressed open.
I made multiple sets of wedge strips using different arrangements of fabric. The photo above shows some of them.
Composing A Design
After building my inventory of wedge strips it was time to start composing a design. I placed all of the strip sets on my design wall and played around with different arrangements. As I found groupings that I liked I took them to my sewing machine to stitch them together. Many times the attaching of the strips meant there were sections that needed removing. Those were trimmed using my rotary cutter. The removed strips were saved and added in new areas.
The whole process of pinning, stitching and trimming went on for hours. Each adjustment or addition changed my piece in dramatic ways.
Once I had a design that I was happy with I auditioned various fabrics to use for the background. I even enlisted the help of my hubby to narrow down the options. He had many great insights to share. I guess he’s been listening to me after all! 🙂 With a background chosen I was ready to proceed with the quilting.
I decided to fuse my design to the background fabric. Before doing so I turned under the raw edges 1/4” and pressed them in place. Next I hand stitched the outer edge to my background with a dark purple thread. Once my wedge design was securely fastened I used a variegated yellow thread to quilt it. On the background fabric I echoed around my center design with a matching, variegated purple thread.
After the quilting was complete I trimmed off the excess fabric; remember my piece couldn’t be larger than 20” x 20”. The raw edges were then protected by facings. A label and hanging sleeve were also added. This is how my piece looked when it was finished.
I’m sure you have probably noticed, from the labels on the photos above, that I have given this piece the name Twisted Threads. As I was creating my piece the process of cutting and turning the various groupings every direction brought to mind a vision of twisted threads. Twisted Threads then seemed like the natural choice for a name so that’s where the name came from.
Part of creating art is the evaluation process that comes at the end. On page 20 Sherri says:
Never judge a work as good or bad.
Instead she recommends that you
evaluate your work in a non-judgmental way.
She uses these questions to evaluate her pieces:
What surprised me?
What did I discover or learn?
What was satisfying about the process or outcome?
What was dissatisfying?
If dissatisfied, what can I do differently next time to be more satisfied?
Where do I want to go from here?
I found the process of creating my curved art piece challenging and interesting all at the same time. The steps taken to make the wedged strips was fun to follow. I enjoyed seeing how the different color combinations changed with the addition of new strips. Stitching the curved pieces together was the area that stretched me the most. Merging the concave edges with those that were convex is what tried my patience. This was a much slower process than I was used to but its results were far more rewarding.
If you had asked me right after I had finished my curved piece if I would be making another I probably would have said, “No!” Now that I have had some time to evaluate my experience and think about what I would do differently, my answer would be, “You Bet!”
As I stated earlier, merging the curved edges together into one was the most challenging. To help make the process easier in the future I would strive to create gentler curves. The curves with the more pronounced angles were the hardest to manage. If those were eliminated the experience would be much less stressful.
I also would resist the temptation to use up all of the trimmed-off segments. My piece, as it turned out, has so many different angles merging into one another. Each one of those sections is screaming for attention. If I had added breathing-room via the use of solid colors I believe my piece would have been much more relaxing to look at.
Moving forward I would like to improve my skills for the techniques that I have learned. I’d also like to explore the addition of bias strips as a means of adding negative space. My next attempt at creating a curved piece will most likely be on a larger scale. There will be no need to stay within the 20” x 20” dimensions.
There’s my evaluation. Time now to enter my project in the contest.
I am always so thankful for your visits and the wonderful comments you share. Your participation is very much appreciated!
I was once a subscriber to Missouri Star Quilt Company’s Block magazine. The magazines I received are still resting on the reclaimed cabinet in my office. Shown below are some of them.
I’ve spent many hours browsing the pages of each one of those books. On the back covers I wrote the names of the quilts I might oneway like to make.
One of the many quilts I fell in love with was the Teacup quilt, published in the Fall Vol 1 Issue 5 magazine. As you can see by the above photo it was one of the projects I listed on the back cover.
Let’s Make It!
Having fallen in love with the Teacup pattern I set-out to make one for myself. After browsing the Missouri Star Quilt Company’s website I chose a grouping of fabrics to purchase for my project. Buying the fabric, for me, is always the easy part. Finding the time to make it is what’s hard.
I had the fabrics for the quilt sitting in a tub for more than a year. Last summer, on one of my sewing retreats, I finally was able to get started. The quilt was a fun and easy quilt to assemble. Unfortunately the pattern has an error. It wasn’t until I had all of the blocks made that I discovered it.
A Pattern Error!
As I laid out the blocks to decide on their placement I realized I only had half of the blocks the quilt pattern called for. Being puzzled by this revelation I went back to the book to figure out where I went wrong. As I studied the pattern I realized that the quantity of fabric called for in the pattern was incorrect. The pattern listed only one package of 10 1/2″ squares (aka layer cake). In order to make the correct number of blocks I should have purchased two packages.
Letter to the Company
I contacted the company to point out the error. They thanked me for the information and credited my account for $5. I guess the $5.00 was supposed to make me feel better. $5.00 was not going to make it possible for my quilt to ever be the size I was anticipating.
No Longer Available!!!
Since I waited so long to actually start making the quilt the fabrics had since gone out of print and were no longer available. On top of that I had purchased enough fabric to make the quilt backing to the correct size. Obviously I can use the extra fabric on another project, but that’s not the point. Had I known that my quilt would be much smaller I obviously wouldn’t have purchased as much. Thus, their $5.00 compensation paled in comparison to my level of disappointment and the amount of money spent on this quilt.
MSQC’s Pattern Corrections
Missouri Star Quilt Company publishes a list of pattern corrections for its subscriber to refer to. As of today the error that I found is not listed on that Missouri Star Quilt Company’s pattern correction list. I’m disappointed that my revelation has not been shared on their website. If you decide to make the quilt yourself make sure to adjust the amount of fabric that you purchase. Otherwise you too will be disappointed.
Ok, enough about my disappointment! Let’s get back to my very pretty quilt.
In December of 2017 I was able to finally find time to finish my Teacup quilt. Using a straight-line geometric pattern, swirls, a paisley design and white thread I quilted my Teacup project on my longarm machine. Here’s how my sweet little quilt looks now.
Throwing aside the disappointments associated with my experience, I must say that this darling little project sits very high on my list of favorite quilts. I am so pleased to have it in my arsenal of finished quilts. 🙂
Thank You so much for visiting with me today. I look forward to our next encounter.
Note: At the beginning of this post I mentioned that I was once a subscriber to the Block magazine. My experience with one of their patterns and the company’s failure to correct the issue had nothing to do with cancelling my subscription. I made the decision to stop receiving the magazine because I felt I had more than enough ideas for possible quilts to make in the future; let alone finding the time to make them all. I’ve also found improv quilting to be my preferred avenue to follow. I’m not saying I would never make a pattern quilt again; it’s just not as likely as it once was.